The company had a dominant position in adult contemporary, but the kind of people who bought knockoff CDs from the trunk of a car didn’t want Bryan Adams and Sheryl Crow. (Indeed, recording executives at the time saw this as a key business risk.) But PolyGram’s offerings just weren’t that good. He knew a couple of employees who were smuggling them out, and a pre-release album from a hot artist, copied to a blank disk, would be valuable. Glover began to consider selling leaked CDs from the plant.
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“I didn’t think they’d ever look at me for what I was doing.” But the burner took forty minutes to make a single copy, and business was slow. “There was a lot of people down my way selling shoes, pocketbooks, CDs, movies, and fencing stolen stuff,” he told me. He began to make mixtapes of the music he already owned, and sold them to friends.
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Soon, Glover also purchased a CD burner, one of the first produced for home consumers. Tinkering with the machine, Glover developed an expertise in hardware assembly, and began to earn money fixing the computers of his friends and neighbors.īy the time of the party, he’d begun to experiment with the nascent culture of the Internet, exploring bulletin-board systems and America Online. His mother co-signed as the guarantor on the layaway plan.
#Jay z on to the next one mp3 Pc
In 1989, when Glover was fifteen, he went to Sears and bought his first computer: a twenty-three-hundred-dollar PC clone with a one-color monitor. Glover’s father had been a mechanic, and his grandfather, a farmer, had moonlighted as a television repairman. Most important, they were both fascinated by computers, an unusual interest for two working-class Carolinians in the early nineties-the average Shelbyite was more likely to own a hunting rifle than a PC. They lived in the same town, Shelby, and Glover started giving Dockery a ride to work. Dockery was a “boxer”: he took the shrink-wrapped jewel cases and stacked them in a cardboard box for shipping. Glover was a “dropper”: he fed the packaged disks into the machine. The two worked opposite ends of the shrink-wrapping machine, twelve feet apart. One of Glover’s co-workers was Tony Dockery, another temporary hire. Its lineage was distinguished: PolyGram was a division of the Dutch consumer-electronics giant Philips, the co-inventor of the CD. On a busy day, the plant produced a quarter of a million CDs. New albums were released in record stores on Tuesdays, but they needed to be pressed, packaged, and shrink-wrapped weeks in advance. It ran shifts around the clock, every day of the year. The factory sat on a hundred acres of woodland and had more than three hundred thousand square feet of floor space. “We’d run them in the plant in the week, and they’d have them in the flea markets on the weekend,” he said. In time, Glover became aware of a far-reaching underground trade in pre-release disks. But at the party, even in front of the supervisors, it seemed clear that the disks had been getting out. He knew that the plant managers were concerned about leaking, and he’d heard of employees being arrested for embezzling inventory. Plant policy required all permanent employees to sign a “No Theft Tolerated” agreement. Later, Glover realized that the host had been d.j.’ing with music that had been smuggled out of the plant. The Blueprint 3 won't be legally available until Friday, September 11, but you can listen to the whole thing, RIGHT NOW, only on 'The Leak.Dell Glover manufactured CDs for a living, but he began to wonder: if the MP3 was just as good, why bother with the CD? Photograph by Jehad Nga (Death of Auto-Tune)' and 'Run This Town,' both of which are already burning up the charts. And not only does Jay draft the hippest artists, but he's laying out some of the hottest singles of the summer with songs like 'D.O.A. On The Blueprint 3, Shawn Carter goes throwback, giving up a nod to the soul grooves he grew up on, but is also future-forward and features some of the best in the music industry, from Rihanna and Kanye West to Kid Cudi and Alicia Keys. Now, the long-reigning king of hip-hop has returned with his eleventh – yes, eleventh! – studio album and much like fine wine, Jay-Z is only getting better with age.
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When HOVA ditched his retirement plans a few years ago and came back to hard-hitting beats full-time, we couldn't have been happier. On to the Next One featuring Swizz Beatz (4:16) Real as It Gets featuring Young Jeezy (4:12) Empire State of Mind featuring Alicia Keys (4:36) Run This Town featuring Rihanna and Kanye West (4:27) What We Talkin' About featuring Luke Steele of Empire of the Sun (4:03) It was originally slated for a late 2008 release, but then Jay decided he didn't want to rush the album, and pushed it back to 2009. The Blueprint 3 is promised for a 2009 release, with Kanye West reportedly on board to produce most, if not all, of the album's tracks.